Eduardo Paolozzi at the Whitechapel Gallery

16 February – 14 May 2017

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Eduardo Paolozzi (1924-2005) was one of the most innovative and irreverent artists of the 20th century. Considered the ‘godfather of Pop Art’, his collages, sculptures and prints challenged artistic convention, from the 1950s through to the Swinging Sixties and advent of ‘Cool Britannia’ in the 1990s.

This major Eduardo Paolozzi retrospective spans five decades and features over 250 works; from the artist’s post-War bronzes, revolutionary screen-prints and collages, to his bold textiles and fashion designs.

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Abstract Expressionism at the Royal Academy

24 September 2016 — 2 January 2017

Exploring an unparalleled period in American art, this long-awaited exhibition reveals the full breadth of a movement that will forever be associated with the boundless creative energy of 1950s New York.

In the “age of anxiety” surrounding the Second World War and the years of free jazz and Beat poetry, artists like Pollock, Rothko and de Kooning broke from accepted conventions to unleash a new confidence in painting.

Often monumental in scale, their works are at times intense, spontaneous and deeply expressive. At others they are more contemplative, presenting large fields of colour that border on the sublime. These radical creations redefined the nature of painting, and were intended not simply to be admired from a distance but as two-way encounters between artist and viewer.

It was a watershed moment in the evolution of 20th-century art, yet, remarkably, there has been no major survey of the movement since 1959.

This autumn we bring together some of the most celebrated art of the past century, offering the chance to experience the powerful collective impact of Pollock, Rothko, Still, de Kooning, Newman, Kline, Smith, Guston and Gorky as their works dominate our galleries with their scale and vitality.

We also acknowledge the lesser-known figures who contributed to the development of the movement. Finally, we include photography and sculpture to complete an ambitious re-evaluation of the phenomenon that saw New York take over from Paris as the capital of the art world.

For more details go to https://www.royalacademy.org.uk/exhibition/abstract-expressionism

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Clyfford Still, PH-950, 1950.