Woven and Knitted textile design students all report having a truly inspirational and engaging experience at Spinexpo, Paris. Presenting their work, networking and supporting the Spinexpo team were just few things the students experienced. Here’s an edited selection of what the student’s thought.
Contributions from Amy Halley, Emily Johnson, Amy Osgood, Amber Davis and Aimee Dye
Spinexpo Paris, known for featuring cutting edge technologies and having the highest technical expertise, was a great way for us to exhibit our work professionally, understand how a show of this scale works and to see how designers work with spinners to showcase yarns and their versatility. It was also an extremely valuable experience to speak to different companies including yarn producers and garment manufacturers. For example, from Wanziman Hong Kong Limited we learnt about an interesting new technology which imitates woven patterns into knitted fabric to create a unique material which has qualities of both knit and weave.
Yarn suppliers also exhibited new technologies, combinations of fibres and innovations including eco-friendly products, tape yarns, metallic textures, woollen yarns and paper qualities; the sheer volume of possibilities was eye opening.
Each stand was exciting and enticing, each seller had many potential buyers viewing their sample racks. It is perhaps easiest to envisage the buyers as children visiting a sweet shop for the first time; completely animated and engrossed in the products.
The Spinexpo team were extremely kind and encouraging to us. They made us feel a part of the family and become involved in every aspect of the show. A most wonderful experience, which has been invaluable.
Hannah aim to create a luxury sportswear inspired women’s knitwear collection of outfits that are innovative and forward thinking, using denim fabrics and yarns in combination with other sustainable and high quality materials in order to create a highly technical, luxury fabrics. She hopes to promote the concept of slow fashion and aims to have a low impact on the environment.
To continue the idea of clothing with a long life, Hannah initially focused on using pre-loved denim and transforming it into something new and innovative. “I am interested in the history of denim and am inspired by how denim has been a part of the lives of so many people; from a vast array of sub-cultures and classes in societies throughout the centuries. From ancient Japanese Boro textiles to present day casual wear, I am fascinated by the stories behind the clothing that people wear.”
Hannah has used many knitting techniques on a wide range of machinery; these include domestic, Dubied and Shima Seiki knitting machines across a variety of gauges, exploring intarsia, e-wrapping, weaving in, pleating and ribbing. She has also embraced hand dyeing and machine embroidery, in order to add a further depth and dimension to the fabrics. Developing on from the idea of water and preserving the landscape, she uses heat pressing techniques with plastics, resulting in a waterproofed effect.The use of heat pressing techniques with plastics, resulting in a waterproofed effect, encapsulate the idea of water and preserving the landscape.
Two Knitwear students, Zoe Lyne and Jessye Boulton won prize’s at the Campaign for Wool Student Hand Knit Competiton held at Artworkers Guild Hall in London during Wool Week.
The students responded to a competition brief created by Marie Wallin. Students were asked to design a series of fashion garments hand-knitted in 100% wool, or wool-rich, [more than 51% real wool] that displayed sculptural form using cabling and 3D knitting techniques in a palette which celebrated the colours of a British Autumn. Students were encouraged to incorporate other handcraft techniques such as crochet, macramé, tatting and felting. The brief asked for an exploration of scale as a means to create drama and complexity.
Sixteen final entries were judged during Wool Week by Marie Wallin, Bridgette Kelly of The Campaign for Wool Ltd, Wendy Barker ofKingston University and Polly Leonard, Founder and Editor of Selvedge Magazine who awarded a special prize to her overall preferred entry.
The second prize of £300 was awarded to Jessye Boulton from Winchester School of Art, another first-year undergraduate student. “Jessye’s design was a wonderful blend of multi-coloured yarns knitted into a collection bullion knots, creating a dramatic and eye-catching, almost carpet-like in its structure and very impressive as a garment.”
Using the colours of Autumn as her starting point Jessye created a highly textured garment using Spring stitch to mimic the natural complexity of the forest floor and to celebrate the quality of the pure wool yarns she used. Jessye secured yarn sponsorship from Cornish Organic Wool and LoveKnitting.com which enabled her to create a dense and luscious final piece.
A special award of a 3-year subscription to Selvedge Magazine was given to Zoe Lyne of Winchester School of Art. Polly Leonard, the editor of Selvedge Magazine was instantly drawn to this “dramatic design of a mass of crochet tubes worked into a very imaginative wearable neckpiece or collar.”
Zoe was inspired by the notion of an organic shape engulfing the wearer for her design. Imagining knitwear as an extension of the body Zoe constructed the garment to obscure the face with a series of sculptural tube-like forms that form the collar.
The garment was hand-knitted in natural undyed British and Merino wool specifically to subtly draw attention to the natural irregularities in the yarn. Constructing the sculptural collar in Dartmoor lambswool, supplied by Lily Warne Wool, was a nod to Zoe’s Devon heritage.
Congratulations to Jessye and Zoe!
Boden is a London-based clothing company, founded in 1991 by Johnnie Boden. The company’s headquarters are in NW London.
We are looking for a brilliant Admin Assistant to provide strong administrative support to our designers in our womenswear wovens team and in our womenswear knit and jersey team.
If you have an understanding of how the fashion industry works and would enjoy working in a creative environment then this is the ideal opportunity to gain experience in a fun and dynamic team.
As well as being really well organised you’ll be confident, have strong attention to detail, be unfazed by sample management, supplier correspondence and lots of meetings….oh, and you’ll probably eat spreadsheets for breakfast!
You will ideally have a fashion degree and possibly a relevant internship under your belt.
If this sounds like you we’d love to hear from you so please apply with a CV and a few examples of your work.
Salary £19,000 per annum plus excellent benefits
Location of vacancy North West London
Position type Full Time
Closing date July 20, 2016
For Wovens more details here
For Knitwear more details here
Stuart Peters Limited is a supplier of fashion knitwear, jerseywear and outerwear to the UK High Street.
The knitwear design department is a team of 20+ designers. The role will assist the design department to liaise with factories and customers in relation to development product, specifically:
Preparing design product for presentation meetings
Managing original reference samples
Ensuring sample submissions are correct/ referenced and delivered into the UK on time for customer meetings.
Ensuring that internal systems are up to date with the latest product information
Problem solving directly with the design team and factories
All our interns have thoroughly enjoyed their time doing their placements, and we currently have interns who have returned as Graduate Trainees.
The position would suit – A strong personality, bright, intelligent, willing to work hard/strong work ethic, quick to learn, attention to detail, thinks clearly through problems. Someone who has an interest in design and that wants a permanent job at the end of their course!!
37.5 hours per week
February 23, 2015
To read more and apply go here