A selection of Year 2 Knitwear for Fashion student work went on sale in Soboye’s Shoreditch based boutique during London Fashion Week last week and at the Colour Walk exhibition at Old Spitalfields Market, London.
Between now and February 2017, London Transport Musuem are hosting Weaving Futures In The Studio, part of their year-long public programme of events, and situated in the ‘pop-up’ designer’s Studio integrated into LTM’s temporary Designology exhibition. It is a three-month focus on digital jacquard woven textile design and moquette concepts, exploring process and making, and is curated in partnership with research and design industry experts Philippa Brock and Samuel Plant Dempsey.
Weaving Futures explores the importance and potential of woven textiles to the London Transport System and features a state of the art TC2 digital jacquard loom. The idea is to actively explore how good design makes life in London better, through residencies and participatory workshops. The work does not exist currently and as the exhibition progresses this will be made and then displayed. It also examines the process of designing for and production of woven textiles.
Each week there are different weave designers, researchers, artists and industry designers resident in the studio, with each resident responding to the same design brief, relating to data and transport. The residents will be working with Studio weavers, Rosie Green and Hanna Vinlöf–Nylen, to realise their final design on the digital loom. Outcomes and final designs will be displayed in the Studio and shared during the Museum’s Late Debate and Friday Late events.
Residents: Assemble, Beatwoven, Philippa Brock, Camira, Central Saint Martins, BA Textile students, Samuel Dempsey, Linda Florence, Gainsborough Weaving Company, Eleanor Pritchard, Rare Thread (aka Kirsty McDougall and Laura Miles), Josephine Ortega, Ismini Samanidou, Studio Houndstooth, Takram & Priti Veja
Drop into London Transport Museum’s pop-up Studio for a unique behind the scenes chance to experience contemporary transport design innovation through a year-long programme of events. The studio is open to the general public and one entry ticket gets you in for a year. The programme is part of this exciting Designology exhibition and includes:
· one-day workshops with London’s best known transport designers
· design residencies, briefs and challenges
· intellectual late debates, workshops and talks
The workshop programme includes among others:
25, 26, 30 January 2017 – Research Collaboration with Brock, Dempsey and Veja – Designers Philippa Brock, Samuel Plant Dempsey & Dr. Priti Veja will be coming together in the studio to work collaboratively on a brief, combining their expertise in design thinking, with Brock on 3D woven jacquard and haptics, Dempsey on product design and 3D printing, and Veja on woven e-textiles. Find out how electronics can be constructed in woven structures to make integrated soft circuits, wearable technology and smart textiles. philippabrock.com I design-plant.co.uk I weft-lab.com
9,10 February 2017 – Weaving Music with BeatWoven® – Meet award winning, avant-garde textiles label BeatWoven® and find out how they use songs and sounds to visualise and orchestrate pattern formations in textile design, particularly through the technique of weaving. Watch live as they work with our weavers to interpret a brief on the Digital Loom. beatwoven.co.uk
17, 18 February – Upholster and Accessorise with Eleanor Pritchard – Meet hands-on London weave studio; Eleanor Pritchard (Texprint alumna), designers and manufactures of upholstery and interior accessories. Find out about using geometrics and graphic reversible patterns to create clean, contemporary design and observe their approach to our transport brief. eleanorpritchard.com
For more information go to http://www.ltmuseum.co.uk
Another year of celebrating our talented Fashion Design and Knitwear graduates live on Vogue.co.uk See link below to the London Graduate Fashion Show at the Vinyl Factory on 23 May
A selection of WSA graduate portfolio’s and garments are currently showcased at Graduate Fashion Week in London.
Channa Horwitz (1932–2013, Los Angeles) was amongst the pioneers in the late 1960s and 70s of a distinctly Californian minimalism. She came relatively late to art, arranging it around her home life, and despite corresponding and swapping work with Sol LeWitt, she received little attention from the art world until the end of her life.
Horwitz claimed artistic freedom through confinement to a few simple rules. She came to base all her work on the numbers one to eight – often deploying a colour code for each number – and used this system to depict time and movement. Her outstanding series titled Sonakinatography can be understood in terms of notation, for instance for music or choreography.
Working mostly without the promise of exhibition, Horwitz was disciplined and prolific. Although she experimented with other materials – sculpture and photography, as well as performance and ultimately installation – her preferred form was drawing, often using ink on standard graph paper. At times during the exhibition Horwitz’s work will be activated through music, and dance, and movement workshops.
- pull-ins & returns
- editing looks
- studio admin
- creating fashion & mood boards
- assisting on shoot days
Fashion Design tutor, Samuel Membery talks to SHOWstudio about his label Itokawa Film and London Menswear.
Daryoush Haj-Najafi is joined by a ‘New London’ collective including; photographer Ronan McKenzie, Itokawa Film‘s Samuel Membery, [NOTHING]’s Jai Elevenand writer Cora Delaney to discuss the MAN A/W 16 menswear collection and the term ‘New London’.
3 Feb 2016 – 10 Apr 2016
The first UK solo presentation of works by Betty Woodman (born 1930), one of the most important contemporary artists working with ceramics today. The exhibition focuses on work Woodman has created in the last ten years, including a number of major new mixed media pieces.
Betty Woodman began making work in 1950 with clay as her chosen medium, and throughout her practice has constantly explored new directions and introduced new techniques and media. Woodman’s conceptual boldness and her ambitious experimentation—in which she combines such unlikely materials as lacquer paint on earthenware and terra sigillata, a slip glaze often used on ancient ceramics, on paper—have generated a unique series of innovations. Significantly, the ways in which she combines ceramics and painting in her three-dimensional works resonates with younger generations of artists.
All her work relates to her ceramics, their decorative design, imagery and unusual use of various media, and can be seen as a way of exploring her painterly sensibility. For many years she has focused on the vase, which over time has become her most salient subject. For Woodman, the vase can be a vessel, a human body, and animal figure, a metaphor, or an art-historical reference. Painting, particularly in recent years, plays a key role in the work of Betty Woodman. Her later works are large, colourful drawings and paintings on handmade paper or canvas that combine graphite, ink and lacquer with terra sigillata and wax. Her work alludes to and blends numerous sources, including Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture, and the paintings of Bonnard, Picasso and Matisse.
Donlon Books is an excellent independent bookshop on Broadway Market “offering an idiosyncratic selection of books, periodicals and printed matter.”
The shop’s stock covers a wide-range of subjects, including popular music and sound art, philosophy and critical theory, art theory, esoterica, fashion design, and gay and erotica, but its particular speciality is artists’ bookworks and photobooks.
Definitely worth a visit when in London.