Tell us about your collection
‘We See Creature Folk’ is a body of work which explores and illustrates several narratives through print and pattern. These stories portray social justice messages and are told through the creation of creatures and locations. Inspired heavily by both primitive and folk art; the collection supports the idea of something being created with a purpose but also being appreciated as art itself as well as having a very handcrafted feel. ‘We See Creature Folk’ is primarily aimed at children, however, each design’s purpose is multi-functioning through all ages, genders, and final functions and purpose. The printed textile collection spans further than just a fashion range aiming to work as a lifestyle range with endless possibilities for its reproduction in various products such as: ceramics, storybooks, badges, masks, costumes, mobiles and wall hangings. The relationship between shape, form, colour and figurative illustrations moulded this collection, working as an exploration of how illustration and pattern intertwine.
What were the highs and lows through creating your collection?
A really exciting moment during the creation of this collection was the inception of my concept – it was an idea that really meant something to me and something I was passionate about. That extra bit of researching meant I had an idea that I could really go for it with and I didn’t need to worry about tiring of my idea.
Something that was difficult throughout FMP was keeping going and not running out of puff, especially when it feels like you’re running out of time with so much to do. However, even though it’s a cliché, it all does come together in the end!
Another high from my project was shooting all of my fabrics for my Look book, it was so nice after all those months of working on the designs to see everything coming to life. It was also really fun to get creative with shoot ideas.
Any advice for students following in your footsteps?
Try to get at least one internship whilst at university! It does wonders for your confidence and the more you have when you leave the easier it will be to find a job as you’ll have invaluable experience!
Also, just continue working through – even though you may want to slow down or give up in a project. You only get to do it once so you may as well make the most of being at uni’ and having all the feedback – that is probably the thing I’m going to miss the most! With that in mind take as much work to your tutors as you can during tutorials. The more you have the more they can help you!
Woven and Knitted textile design students all report having a truly inspirational and engaging experience at Spinexpo, Paris. Presenting their work, networking and supporting the Spinexpo team were just few things the students experienced. Here’s an edited selection of what the student’s thought.
Contributions from Amy Halley, Emily Johnson, Amy Osgood, Amber Davis and Aimee Dye
Spinexpo Paris, known for featuring cutting edge technologies and having the highest technical expertise, was a great way for us to exhibit our work professionally, understand how a show of this scale works and to see how designers work with spinners to showcase yarns and their versatility. It was also an extremely valuable experience to speak to different companies including yarn producers and garment manufacturers. For example, from Wanziman Hong Kong Limited we learnt about an interesting new technology which imitates woven patterns into knitted fabric to create a unique material which has qualities of both knit and weave.
Yarn suppliers also exhibited new technologies, combinations of fibres and innovations including eco-friendly products, tape yarns, metallic textures, woollen yarns and paper qualities; the sheer volume of possibilities was eye opening.
Each stand was exciting and enticing, each seller had many potential buyers viewing their sample racks. It is perhaps easiest to envisage the buyers as children visiting a sweet shop for the first time; completely animated and engrossed in the products.
The Spinexpo team were extremely kind and encouraging to us. They made us feel a part of the family and become involved in every aspect of the show. A most wonderful experience, which has been invaluable.
Last week we had a stand at PV Designs, part of Premiere Vision in Paris, exhibiting student designs alongside established design studios. We took a selection of second and third year work across the four pathways.
PREMIERE VISION is a textiles trade fair held twice yearly in September and in February and attracts around 60,000 visitors. The majority of these visitors are buyers from fashion companies looking for new fabrics and designs for their forthcoming collections.
There are many trend areas which show the newest fabrics and colour suggestions for the next season. The show is a very inspiring place to visit in terms of design & colour as well as offering opportunities for networking and gathering information about the industry.
PREMIERE VISION DESIGNS is a huge section of the fair where around 150 design studios from many different countries show their new collections of designs for print, weave, knit and embroidery. Buyers from thousands of companies looking for original designs visit PV Designs each season to buy artwork from the design studios exhibiting there.
Over the 3 days the WSA Make Future stand attracted much attention from buyers around the world. A number of students sold their designs to international fashion brands and there were many comments about the inspiring and original work on display. The students that helped on the stand were able to gain an exciting insight into the industry, talking directly to clients and understanding what companies were looking for.
Congratulations to all the students whose work was selected to be exhibited and those that sold work as well. It was a great industry experience we hope to repeat next year.
This Thursday in LTA, the milliner Noel Stewart will be giving a talk about his practice. 5pm – not to be missed!
Noel Stewart is a London based milliner with international status. Taking inspiration from contemporary art and architecture he continually modernises millinery to creates a fresh and elegant approach to how we dress the head. Noels’ collections combine luxury materials and traditional craftsmanship with contemporary innovation.
Since establishing his label Noel has designed hats for leading fashion designers including Roland Mouret, Diesel, Roksanda, Erdem, Hussein Chalayan, Richard Nicoll, Jaeger, Marc by Marc Jacobs, Holly Fulton, Sibling, Viktor & Rolf, Ryan Lo, Gareth Pugh, and JW Anderson. His continuing work with such designers reflects the relevance of his role in contemporary fashion.
Off the catwalk Noel Stewart has acquired a loyal fan-base. His hats have been worn by Keira Knightly, Lady Gaga, Florence Welch, Kylie Minogue and Beth Ditto.
The first of the Fashion and Textiles Design ‘Film Club’ series starts this Wednesday 5th October.
The first screening, chosen by programme leader, Cecilia Langemar will be the 1980’s Ridley Scott classic ‘Blade Runner’. This visually spectacular, noir thriller has been a huge inspiration to many artists and designers.
Please join us for this opportunity to see it on the big screen.
Film Screenings are 16.00-18.00pm in Lecture Theatre B.
Sarah Cheyne, Senior Teaching Fellow in Printed Textiles was at Premiere Vision, Paris last week researching for an upcoming Live Project for our students as well as working with Texprint, an organisation that takes 24 of the best UK graduates to Paris to show their work to an international market. Amongst the 2016 Texprint cohort was Melissa Ougham, recent graduate from Printed Textiles at WSA. Here she is on her stand, showcasing her work. She will be starting her internship in Como, Italy in just a few weeks.
27 August – 23 October
An impressive costume exhibition exploring the origins and versatility of denim, from its workwear heritage, to becoming the fabric of our everyday lives. From the ‘Wild West’ to Vivienne Westwood, mass production jeans to handcrafted spectacles, we present the many faces of our beloved denim.
In conjunction with the exhibition is Love Thy Denim lecture: Heritage and Renaissance
Thursday 20th October 2016 – 7.30pm
Winchester Discovery Centre
A lively lecture by Mohsin Sajid, the UK’s denim aficionado and owner of label Endrime. This fascinating talk, for denim enthusiasts and aspiring designers, will detail the history of the cloth and origins of jeans.
Mohsin brings his unique perspective as a designer and consultant to major denim brands and discusses the emergence of a denim renaissance in Britain and beyond.
Price: £5.00 per person