Five Year 2 Fashion Design students have been nominated for the internationally renowned All Walks Beyond the Catwalk competition Diversity NOW in association with i-D magazine.
Congratulations to Miranda Wang for being accepted onto the Printed Textiles postgraduate MA course at the Royal College of Art.
Miranda is currently in her final year at WSA after joining us less than two years ago from Dalian, China. We are sure she will take her lively enthusiasm for printed textiles forward and to new levels over the next two years at the RCA. Well done!
Last week we had a stand at PV Designs, part of Premiere Vision in Paris, exhibiting student designs alongside established design studios. We took a selection of second and third year work across the four pathways.
PREMIERE VISION is a textiles trade fair held twice yearly in September and in February and attracts around 60,000 visitors. The majority of these visitors are buyers from fashion companies looking for new fabrics and designs for their forthcoming collections.
There are many trend areas which show the newest fabrics and colour suggestions for the next season. The show is a very inspiring place to visit in terms of design & colour as well as offering opportunities for networking and gathering information about the industry.
PREMIERE VISION DESIGNS is a huge section of the fair where around 150 design studios from many different countries show their new collections of designs for print, weave, knit and embroidery. Buyers from thousands of companies looking for original designs visit PV Designs each season to buy artwork from the design studios exhibiting there.
Over the 3 days the WSA Make Future stand attracted much attention from buyers around the world. A number of students sold their designs to international fashion brands and there were many comments about the inspiring and original work on display. The students that helped on the stand were able to gain an exciting insight into the industry, talking directly to clients and understanding what companies were looking for.
Congratulations to all the students whose work was selected to be exhibited and those that sold work as well. It was a great industry experience we hope to repeat next year.
Robert Rauschenberg blazed a new trail for art in the second half of the twentieth century.
This landmark exhibition celebrates his extraordinary six-decade career, taking you on a dazzling adventure through modern art in the company of a truly remarkable artist.
From paintings including flashing lights to a stuffed angora goat, Rauschenberg’s appetite for incorporating things he found in the streets of New York knew no limits. Pop art silkscreen paintings of Kennedy sit alongside 1000 gallons of bentonite mud bubbling to its own rhythm. Rauschenberg even made a drawing which was sent to the moon.
Each room captures a different moment of this rich journey, from Rauschenberg’s early response to abstract expressionism to his final works saturated in images and colour. Seen together they show how Rauschenberg rethought the possibilities for art in our time.
This exhibition, organised in collaboration with The Museum of Modern Art, New York, is the first full-scale retrospective since the artist’s death in 2008 and the ultimate Rauschenberg experience. It is your one chance to see these major international loans together in one place, while discovering the full story of an inspirational and much-loved artist whose influence is still felt today.
The exhibition runs until 2 April 2017
Last week four Fashion Design students were given the opportunity to attend the British Fashion Awards at the Royal Albert Hall in London. The awards celebrate the best of British and international talent from the global fashion community.
As part of WSA’s ongoing affiliation with the British Fashion Council, Programme Leader Cecilia Langemar and Senior Teaching Fellow Sophia Malig were invited to attend the awards. The students selected were Rose Appleton, Hannah Price, Sophie Lightowlers and Curtis Wu.
We are very lucky to have worked on a live project with Sophie Steller and her trend driven Knitwear Studio for second year knit & weave’s first project this semester, leading to four work placements for two knit & weave students respectively in her studio in Twickenham, London.
A little bit about Sophie Steller and her company:
‘Our London based studio is home to a team of highly talented designers who have worked on projects for clients such as SPINEXPO, Novetex Spinners, TJ Maxx, AEO, GAP, Polo Ralph Lauren, Gant, A&F, Primark Stores, Marks & Spencer, H&M and Aroma Home.
We provide a wide range of knitwear related design services including:
- seasonal swatch collection
- colour & trend forecasting
- yarn development
- marketing & branding
- direct studio development
- mood & product boards
- concept fabrics’
We worked to an exciting brief set by Sophie, asking the students to approach their work in a more trend driven way. She asked the students to:
‘Develop your ability to research in a relevant, objective, and analytical way to be able to communicate your ideas with one strong, clear message.
The role of a designer is to find ways to creatively problem-solve. As a designer, whether you are designing your own collection, or working for a client you need to create desirability and suitability of your design to a consumer of some kind, and therefore whether you set the brief or the client does, you need to find the solution of creating something that someone else wants to consume.
The students were asked to:
‘Collect a range of 30-40 research images (these can be your own drawings or photographs, collage or a combination of all) of your own that observe and explore the following:
* Shapes * Textures * Colours * Atmosphere & mood * Touch & surface *
Be able to answer the following:
Why did you choose your subject and what did you found interesting and inspiring about it?
Once you went there what did you find out and observe?
Through your visual observations what did you find you liked about it and what ideas did it give to develop further?
What key elements have you identified as being important to inspire you?
From your observational research develop the following:
- A colour palette you can work with * Textures you like * Shapes or patterns you can extract from it *
- A mood or direction you can see it going into? Is it for menswear, womenswear or children? Is it dressy, contemporary, casual, sporty? Then develop your research into final fabrics and resolved garment or interior ideas that continue in this train of thought.’
The students then presented their final fabrics, presentation boards, and a Powerpoint presentation at the end of the six week project to Sophie Steller, and to tutors in their subject areas, Jane Landau for Woven textiles, and Sarah Elwick, & Lisa Burn-Hunter for Knitwear. The work was generally of a very high standard overall, and Sophie was very impressed with the work produced by the students. She will select her four students for internships in due course.
Well done to all involved. A great start to level two!
The C&E Lecture this Thursday 24th November will be given by industry speakers James Theseus Buck and Luke Brooks. Since graduating from the MA Fashion Design Course at CSM they have work on collaborative projects and styling under the name Rottingdean Bazaar.
The talk will be 5-6pm in Lecture Theatre A. Make sure you don’t miss it!
Two Knitwear students, Zoe Lyne and Jessye Boulton won prize’s at the Campaign for Wool Student Hand Knit Competiton held at Artworkers Guild Hall in London during Wool Week.
The students responded to a competition brief created by Marie Wallin. Students were asked to design a series of fashion garments hand-knitted in 100% wool, or wool-rich, [more than 51% real wool] that displayed sculptural form using cabling and 3D knitting techniques in a palette which celebrated the colours of a British Autumn. Students were encouraged to incorporate other handcraft techniques such as crochet, macramé, tatting and felting. The brief asked for an exploration of scale as a means to create drama and complexity.
Sixteen final entries were judged during Wool Week by Marie Wallin, Bridgette Kelly of The Campaign for Wool Ltd, Wendy Barker ofKingston University and Polly Leonard, Founder and Editor of Selvedge Magazine who awarded a special prize to her overall preferred entry.
The second prize of £300 was awarded to Jessye Boulton from Winchester School of Art, another first-year undergraduate student. “Jessye’s design was a wonderful blend of multi-coloured yarns knitted into a collection bullion knots, creating a dramatic and eye-catching, almost carpet-like in its structure and very impressive as a garment.”
Using the colours of Autumn as her starting point Jessye created a highly textured garment using Spring stitch to mimic the natural complexity of the forest floor and to celebrate the quality of the pure wool yarns she used. Jessye secured yarn sponsorship from Cornish Organic Wool and LoveKnitting.com which enabled her to create a dense and luscious final piece.
A special award of a 3-year subscription to Selvedge Magazine was given to Zoe Lyne of Winchester School of Art. Polly Leonard, the editor of Selvedge Magazine was instantly drawn to this “dramatic design of a mass of crochet tubes worked into a very imaginative wearable neckpiece or collar.”
Zoe was inspired by the notion of an organic shape engulfing the wearer for her design. Imagining knitwear as an extension of the body Zoe constructed the garment to obscure the face with a series of sculptural tube-like forms that form the collar.
The garment was hand-knitted in natural undyed British and Merino wool specifically to subtly draw attention to the natural irregularities in the yarn. Constructing the sculptural collar in Dartmoor lambswool, supplied by Lily Warne Wool, was a nod to Zoe’s Devon heritage.
Congratulations to Jessye and Zoe!