Fashion & Sustainability Forum at WSA this Thursday 10th March

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10.00 Delia Crowe – Introduction to the forum

10.15 Linda Mackie – ‘Sustainable Studying’

Considerations of Sustainable and Ethical practice within students’ work, across the full scope of the topic, and seeing Ethical practice as a core element, not an added benefit. Designing resourcefully requires skill, innovation and above all a strong understanding of the cycle, the implications of this in the development of their designs will be explored.

10.45 Mei Hui Liu – ‘Working in a Sustainable Fashion’

Questions about sustainability when working in the industry. Including:

>>> How did sustainable fashion brands come to be included as part of London Fashion Week in past years?

>>> How is work different for a sustainable fashion designer?

>>> Does being sustainable affect the size of your market?

>>> What advantages and disadvantages are there to being a sustainable brand?

11.30 Melanie Plank – ‘The Consumer Lifecycle’

With the increasing influence of lifecycle analysis in our understanding of the environmental impact of a garment, the consumer experience is the next frontier for sustainability. How denim brands are using clever marketing campaigns and innovative business practices to win consumers over to the cause, and change consumer behavior will be examined.

12.15 Clio Padovani – ‘Sustainability in the Community’

Teixidors is a socially sustainable cooperative. This presentation will look at why they were formed, their USP, and how they have carved out a devoted following, of consumers and in their community. Their sustainability is in creating a product that is made by marginalized communities and sustains the community through work and integration. W: teixidors.com

12.45 Alison Jane Reid interviewing Lucy Tammam

Journalist Alison Jane, will be in conversation with Made in Britain, sustainable couturier, Lucy Tammam, of Atelier Tammam London, about her journey from fashion undergraduate to ethical fashion trailblazer, making luxury fashion more sustainable, her journey, her challenges, her successes and her inspirations.

13.30 Lunch and networking – Westside Building, downstairs foyer.

14.15 Charty Durrant – The Truth about Sustainability

Sustainability in fashion is a huge and important issue, but one that all too often gets side-tracked by small details and individual agendas. This talk will outline the many large problems faced by those attempting to bring sustainability into the world of fashion, addressing some serious and potentially shocking issues. By tackling them head on, however, the hope is to bring hope and inspiration for the possibilities of a more sustainable future.

15.00 Kate Hills – ‘An insight into truly British brands and the importance of a Made in Britain label’

British-made brands are having a renaissance and now more and more fashion labels are choosing to manufacture in the UK. Find out why this is, and what the many benefits are to a brand of choosing to manufacture locally.

15.45 Mallory Giardino – ‘The Business Case for Sustainability in Fashion’ 

Fashion businesses can actually be more profitable by engaging with ethics and sustainability. This presentation will point out the financial opportunities that come with improving social and environmental standards, as well as three types of business models that are currently being used to achieve commercial success alongside positive impact.

16.30 Jonathan Faiers – ‘Fashion Thinking: Sustainable Systems of Thought’

The methodology of picking and choosing from the sweep of textile and dress history has become a common practice, and fragmented histories have been fundamental to a variety of design practices and sociocultural readings of fashion and textiles. Walter Benjamin’s figure of the rag-picker, which provided him with a model for literary montage, can be usefully employed to consider the relationship between fashion and sustainability and seems to inspire much contemporary fashion and textile design with its assemblages of styles and references from different eras and cultures. This presentation will draw upon Benjamin, alongside other thinkers from Nietzsche to Bourriaud, to explore the sustainability of Fashion Thinking itself and how this is translated practically into fashion design.

17.15 Caryn Franklin – ‘Fashion and Emotional Sustainability’

In the early 80s, fashion editor of i-D Magazine, Caryn Franklin experienced clothing and fashion culture as a liberating space and a tool to investigate personal identity and celebration of uniqueness. The high-street, with its multiple-choice, value-shopping experience or the concept of brand building did not exist. And neither did the Internet. So while the democratisation of both retailing and the publishing and broadcasting sectors is seen as progress, the proliferation of the fashion normative body: tall, thin, white and young together with a speeding up of trends and product life begs the question of who benefits from such progress. Has the status of the individual shrunk while the power of the brand has expanded? Can new generation creatives become part of the solution not the problem by successfully bringing in their own values for emotionally sustainable practice and what will that look like?

10.00 Delia Crowe – Conclusion to the forum

18.00 – 20.00 Drinks reception & networking Westside Building, downstairs foyer

18.30 – 20.00 Film showing ‘The True Cost’ Westside Lecture Theatre

 

Knitwear Designer Position at Christian Wijnants

Christian Wijnants is an Antwerp-based designer who graduated from the Royal Academy of Art fashion department in 2000 and started his label in 2003. The womenswear collection is known for it’s luxurious knitwear and translation into textural prints.

As a knitwear designer you will be working closely with the designer and product developer. You will be in charge of the development of knits and prints from concept to production.

Your job responsibilities include:
• Creating mood boards, color stories, yarn selection and collection plans.
• Shape research, moulage and technical drawings
• Attend fittings and follow up.
• Creating prints by hand and by computer
• Launching styles at producers and subsequent planning and follow up
• Assist with show styling in Paris
• Oversee special projects and collaborations

Skills & Experience
– You have a bachelor degree in textile and or fashion design and at least 3 years of experience in a similar job and sufficient technical background.
– Knowledge of InDesign, Photoshop and Illustrator
– Strong communication skills in English, written and spoken. Understanding of Dutch is an advantage
– You are immune to stress, flexible, and have a pleasant attitude
– A drivers license B is a plus

Salary Start €2,000 (£1,570) a month

Location of vacancy Antwerp, Belgium

Position type Full Time

Closing date March 11, 2016

For more details and to apply go here

Betty Woodman: Theatre of the Domestic at the ICA

3 Feb 2016 – 10 Apr 2016

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The first UK solo presentation of works by Betty Woodman (born 1930), one of the most important contemporary artists working with ceramics today. The exhibition focuses on work Woodman has created in the last ten years, including a number of major new mixed media pieces.

Betty Woodman began making work in 1950 with clay as her chosen medium, and throughout her practice has constantly explored new directions and introduced new techniques and media. Woodman’s conceptual boldness and her ambitious experimentation—in which she combines such unlikely materials as lacquer paint on earthenware and terra sigillata, a slip glaze often used on ancient ceramics, on paper—have generated a unique series of innovations. Significantly, the ways in which she combines ceramics and painting in her three-dimensional works resonates with younger generations of artists.

All her work relates to her ceramics, their decorative design, imagery and unusual use of various media, and can be seen as a way of exploring her painterly sensibility. For many years she has focused on the vase, which over time has become her most salient subject. For Woodman, the vase can be a vessel, a human body, and animal figure, a metaphor, or an art-historical reference. Painting, particularly in recent years, plays a key role in the work of Betty Woodman. Her later works are large, colourful drawings and paintings on handmade paper or canvas that combine graphite, ink and lacquer with terra sigillata and wax. Her work alludes to and blends numerous sources, including Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture, and the paintings of Bonnard, Picasso and Matisse.

https://www.ica.org.uk

Paid 6 Month Fashion and Textiles Design Internship at Derek Rose

Paid Fashion and Textiles Design Internship
Derek Rose are a luxury brand based on Baker Street, London specialising in nightwear, underwear and loungewear. All of our textiles are designed in-house including repeat print, jacquards and yarn dyed stripes and checks. This is an exciting opportunity for a Textiles graduate looking to gain industry experience.
You will be a part of a small team working directly with the internal designers contributing to the development of the collections and supporting the general running of the design office.

This internship is full time and will last six months to start 26th February 2016.
The ideal candidate:

  • Fashion/Textiles (BA) hons degree.
  • Interest and knowledge of designing prints and yarn dyed stripes and checks.
  • Strong commercial awareness.
  • Interest in textile design for both men’s and womenswear.
  • Must be proficient in Adobe Creative Suite (Photoshop, InDesign, and Illustrator).
  • An excellent understanding of working in a fashion environment and of the design process.
  • Be proactive and able to work independently on your own initiative.

Duties to include:

  • Assisting the designers to design print, jacquards and yarn dyed stripes and checks.
  • Creating technical design sheets.
  • Using Adobe Creative Suite to bring concepts to design.
  • Assisting with administrative tasks including archiving fabrics, filing, answering calls, maintaining showroom, updating design boards and other day to day tasks.
  • Researching new trends, creating mood boards and colour research.

If this sounds like you, we would like to hear from you. To apply send us a copy of your PDF portfolio and CV.

For more details and to apply go here

Study Trip to New York Highlights

Last week WSA Fashion and Textiles staff took a group to students to New York for a study trip of studio visits, fabric and trimming shopping and museums. And an unexpected snow storm! Here are some highlights…

Marc Jacobs tour

Head of Womenswear at Marc Jacobs shows students round the New York studio seeing the process from research to designing and making to show room. Students were lucky enough to see the current collection in progress for the upcoming runway show at New York fashion week.

Marc Jacobs Studio Marc Jacobs talk

Fabric and trimming shopping in the Garment District. Such amazing array of colours and unusual fabrics.

Fabric Ribbons

Picasso Sculptures at the MoMa.

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African Kente fabric at the Cooper Hewitt Design Museum.

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Frank Stella at the impressive new Whitney Museum building.

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The Empire State Building post-blizzard.

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WSA Work-in-Progress Fashion Show Tomorrow 5pm

Come and see our Fashion and Knitwear students Work-in-Progress fashion show!

W.I.P Fashion Show

 

Liberty and Co. Talk at the Fashion and Textiles Museum

Liberty and Co. in the Fifties and Sixties

Thursday 14 January, 6–8pm

With Liberty archivist Anna Buruma

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Hear the history of the world-famous London style and design institution Liberty and Co. during the 1950s and 1960s from Liberty archivist and expert Anna Buruma.

Accompanied by rare illustrations from the Liberty archive, Anna Buruma will document how Liberty learned from its mistakes and, indeed, successes to remain one of London’s most revered retailers for over 140 years.

The event starts at 6pm with a glass of wine in the Museum foyer; the talk follows at 6.15pm for 6.30pm in the Fashion Studio and lasts for approximately one hour including the chance to ask questions at the end. It is followed by a book signing. Ticket includes admission to LIBERTY IN FASHION exhibition and guests are welcome to view the exhibition before or after the event.

Anna Buruma is the author of ‘Liberty and Co. in the Fifties and Sixties’. She works as a freelance researcher and has been the archivist at Liberty since 1995 and curator at Central Saint Martins College of Art & Design since 2005.

Price ÂŁ15 / ÂŁ12 students includes a complimentary drink and exhibition entry.

For more information and to book online go here

 

Fashion and Textiles Christmas Party and Pop-up Shop

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Knitwear Designer Role at Roland Mouret

Job Description

As a result of continued growth at Roland Mouret and the development of the knitwear category within our collection, we are looking for an experienced, passionate, innovative and dedicated knitwear designer to join our team and work alongside the Creative Director and Knitwear Product Developer to produce an exciting and commercial knitwear collection.

We want to hear from someone with a real passion for knitwear who can push the boundaries and excite us with their designs while appreciating the Roland Mouret brand aesthetic.

Main duties will include:

  • Ensure that the company brief for the brand is adhered to
  • Plan the range
  • Produce initial trend, range and pack concepts and colour boards
  • Produce key shapes for each product category
  • Working with the Knitwear Developer, source and match all trimmings, button linings etc. for initial samples.
  • Review initial samples with the Creative Director and Collection Development team to assess styling issues prior to fitting.
  • Communicate design ideas in a confident and enthusiastic manner.

The Ideal Candidate

We are looking for someone with the following skills/attributes/experience:

  • Creative flair and innovation and a proactive approach to design.
  • Commercial industry experience required since graduating, ideally with a luxury brand(s).
  • Able to identify key trends, and interpret these in a relevant and commercial way for the customer.
  • Must be able to work in a fast paced fashion environment.
  • Excellent understanding of garment construction and in particular knitwear manufacturing methods.
  • Able to work on their own – take initiative.
  • Communication, interpersonal and influencing skills at all level.
  • Strong organisational skills with the ability to work to deadlines is essential
  • Target driven with a passion for fashion and the confidence to grow and develop.
  • Ability to produce technical sheets for manufacturing products.
  • Flexible with working hours including overtime and travel.
  • Strong CAD skills and Illustrator experience
  • Creative and innovative with confidence to present ideas to others
  • Good presentation skills
  • Digital approach to working processes

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To read more about the role and apply go here

Printed Textiles tutor featured in The Times

Caitlin Hinshelwood, Senior Teaching Fellow in Printed Textiles, silk scarves were featured in The Times style section last week. All her textiles are hand dyed and screen printed at her workshop in London.

Caitlin Hinshelwood The Times feature