Print Design Student Ellie Bennewith’s placement experience

Printed Textiles Student Ellie Bennewith offers us an insight into the experience she gained through the Industry Placement Module.

During my second year I was exposed to multitude of exciting roles within the textile industry. Two roles that I’ve explored within printed textiles were working with the team at Fairbairn and Wolf Studio (FWS) and designing in-house for a week with Blendworth Interiors.

 

I really enjoyed my time at FWS (a freelance studio based in Peckham) not only did I learn a lot about the industry but I learnt what it’s like to be part of a design team and create relationships with other designers. My week at Blendworth Interiors was a completely different atmosphere because fashion is much faster than interiors. The pace was much slower, which, allowed designers to have more time to consider and create stories for each of their designs. I think I preferred the faster pace as FWS, it was ‘mental’ at times but I left the studio proud of what I had achieved. This has really helped me to discover which area of the textile industry I would like to go into. I think, before my placement, I was definitely leaning towards interiors but now I like the intensity of the fashion industry.

This experience has been invaluable to my development as a designer. On reflection, I have developed key skills that will make me more employable, such as, improving my CAD skills and developing a commercial hand on screen and paper. I built on my transferrable skills as I listened to feedback to improve my independent work but also experienced what it is like to work within a design team – an experience which cannot be replicated at university.

I’ve been exposed to experiences that can only happen on placement, like the preparation for tradeshows and getting to assist a client. Through working with FWS I’ve become more aware of culture impacting the concept of taste, as a result it has forced me to work out of my comfort zone and develop an awareness of how the textile industry works on a global scale.  This will have a significant impact on my studies when I enter my third year as I will recognise and be able to produce a cohesive collection demonstrating a variety of skills.

Before I started my placement, I had my reservations, I was afraid to start in a new environment with completely new people. But the experience was far better than I expected, I loved doing the Placement Module. After being in education all my life, it was a fantastic opportunity to try something different and have a taste of what life could be like after I graduate. For such a long time I convinced myself that all I wanted to do, once I left education, is travel around the world before the stress of getting a job. Since my placement, my opinion changed, the prospect of getting a job in an industry that I love is more exciting than travelling. Something I never thought I would say!!

TexSelect 2018 hat-trick for WSA Knitwear and Print Students

Beth Porter

Every year the organisation TexSelect selects 24 of the best textile graduates from around the UK. The selected students are given the opportunity to showcase their work to leading industry professionals at the Preview Show in London (July) and then at PV Designs in Paris (September). TexSelect interview over 200 students via a panel of industry specialists to find the 24 graduates to represent UK talent and future textiles. This year three WSA students made the cut – Jessye Boulton (Knitwear), Cassie MacDonald (Printed Textiles) and Beth Porter (Printed Textiles).

Jessye Boulton

As part of the experience there are numerous awards judged by industry with the winners announced in Paris. This year Jessye Boulton was shortlisted for the TexSelect Fashion Prize and Cassie MacDonald was shortlisted for the TexSelect Pattern Prize sponsored by Liberty London.

Cassie MacDonald

You can read more about the London Preview here
Congratulations and good luck!

Featuring Final Year Printed Textiles Student Cassie MacDonald

Tell us about your collection

‘We See Creature Folk’ is a body of work which explores and illustrates several narratives through print and pattern. These stories portray social justice messages and are told through the creation of creatures and locations. Inspired heavily by both primitive and folk art; the collection supports the idea of something being created with a purpose but also being appreciated as art itself as well as having a very handcrafted feel. ‘We See Creature Folk’ is primarily aimed at children, however, each design’s purpose is multi-functioning through all ages, genders, and final functions and purpose. The printed textile collection spans further than just a fashion range aiming to work as a lifestyle range with endless possibilities for its reproduction in various products such as: ceramics, storybooks, badges, masks, costumes, mobiles and wall hangings. The relationship between shape, form, colour and figurative illustrations moulded this collection, working as an exploration of how illustration and pattern intertwine.

What were the highs and lows through creating your collection?

A really exciting moment during the creation of this collection was the inception of my concept – it was an idea that really meant something to me and something I was passionate about. That extra bit of researching meant I had an idea that I could really go for it with and I didn’t need to worry about tiring of my idea.

Something that was difficult throughout FMP was keeping going and not running out of puff, especially when it feels like you’re running out of time with so much to do. However, even though it’s a cliché, it all does come together in the end!

Another high from my project was shooting all of my fabrics for my Look book, it was so nice after all those months of working on the designs to see everything coming to life. It was also really fun to get creative with shoot ideas.

Any advice for students following in your footsteps?

Try to get at least one internship whilst at university! It does wonders for your confidence and the more you have when you leave the easier it will be to find a job as you’ll have invaluable experience!

Also, just continue working through – even though you may want to slow down or give up in a project. You only get to do it once so you may as well make the most of being at uni’ and having all the feedback – that is probably the thing I’m going to miss the most! With that in mind take as much work to your tutors as you can during tutorials. The more you have the more they can help you!

RCA Success for Printed Textile Student Miranda Wang

Congratulations to Miranda Wang for being accepted onto the Printed Textiles postgraduate MA course at the Royal College of Art.

Miranda Wang Printed Textiles

Miranda is currently in her final year at WSA after joining us less than two years ago from Dalian, China. We are sure she will take her lively enthusiasm for printed textiles forward and to new levels over the next two years at the RCA. Well done!

Last week at PV Designs Paris

Last week we had a stand at PV Designs, part of Premiere Vision in Paris, exhibiting student designs alongside established design studios. We took a selection of second and third year work across the four pathways.

WSA Pv Design Stand

PREMIERE VISION is a textiles trade fair held twice yearly in September and in February and attracts around 60,000 visitors. The majority of these visitors are buyers from fashion companies looking for new fabrics and designs for their forthcoming collections.

There are many trend areas which show the newest fabrics and colour suggestions for the next season. The show is a very inspiring place to visit in terms of design & colour as well as offering opportunities for networking and gathering information about the industry.

PREMIERE VISION DESIGNS is a huge section of the fair where around 150 design studios from many different countries show their new collections of designs for print, weave, knit and embroidery. Buyers from thousands of companies looking for original designs visit PV Designs each season to buy artwork from the design studios exhibiting there. 

Over the 3 days the WSA Make Future stand attracted much attention from buyers around the world. A number of students sold their designs to international fashion brands and there were many comments about the inspiring and original work on display. The students that helped on the stand were able to gain an exciting insight into the industry, talking directly to clients and understanding what companies were looking for.

3rd Year Print on the Stand

Congratulations to all the students whose work was selected to be exhibited and those that sold work as well. It was a great industry experience we hope to repeat next year.

Reminder: Silk Bureau Student Competition – Deadline tomorrow!

Digital printing company Silk Bureau are running a student INTERIOR DESIGN Competition. https://www.silkbureau.co.uk/student_page/

Open to all students in 2016-17 Academic Year

Surface Pattern
Interior Design
Furniture Design
Textile Design
Graphic Design

We have been really impressed with the standard that graduating students presented at the 2016 New Designers event. From fashion to interiors the students surpassed themselves with innovative design. We were so proud to have played such a huge part in their success story by printing their designs on our extensive fabric range.

Our latest student competition has been based on one of our finds from the show.

Aim: Create a design for a statement piece of furniture to showcase at the Silk Bureau.

Brief: Design a seamless repeat pattern to be used for upholstery. The design should reflect the Silk Bureau as a digital textile printing specialist. The design should be dramatic and provide a ‘wow’ factor for visitors on entry to our premises.

Resources: www.silkbureau.co.uk www.facebook.com/thesilkbureaultd/

Specifications: Repeat pattern. TIFF file format. 180 – 300 dpi. Flattened. RGB. Contact us on 01386 861122 for the link to upload your completed file. Deadline: 9th December 2016. All entries will be printed on 12th December 2016 and the winner will be announced 9th January 2017. All entries must be accompanied with an order form clearly headed ‘Student Competition – Interiors 2016’

Winner: The winning design will be printed on Poly Canvas and used to re-upholster seating displayed in the reception area at The Silk Bureau Ltd. (Furniture supplied by the Silk Bureau Ltd) The winner will be invited to visit the Silk Bureau and see the processes involved in digital fabric printing. The winner will receive 5m (worth over £140) of the design printed on Poly Canvas, selected for the upholstery project. The winner will be promoted on our website and social media.

£25 entry fee. Includes 1m of your design printed on Poly Canvas (normal cost over £46) and return postage.

winner will be promoted on our website and social media.

Interiors Competition 2016 – Terms & Conditions

  1. All entries must be submitted with a completed order form clearly headed ‘Student Competition – Interiors 2016’ . These will then be known as the ‘Entrants’.
  2. Entry is only open to current students in the 2016 – 2017 academic year and MUST be accompanied with a copy of their Student ID.
  3. All artwork submitted MUST be print ready.
  4. The Silk Bureau Limited will not make any amendments to Entrants’ original files.
  5. A pro forma invoice will be raised within 7 days of submitting the competition order form.
  6. The entry fee of £25 must be paid upon receipt of the invoice and is non – refundable
  7. Entry fees include 1m of Polyester Canvas printed with the Entrant’s print ready artwork and delivery with in the UK only.
  8. Additional postal charges will be applied to Entrants outside of the UK postal area.
  9. All artwork being entered into the competition will be printed on 12th December 2016 and despatched with 7 working days to an address with in the UK.
  10. The Silk Bureau Limited reserve the right to change the fabric without notice to an alternative also considered to be appropriate for upholstery.
  11. The Silk Bureau Limited reserve the right to refuse an order and/or competition entry.
  12. Entries will not be accepted after the closing date. 9th December 2016
  13. The Silk Bureau Judges will make the final decision and will not enter into any discussion regarding the result.
  14. The Winner will be selected on 14th December 2016 and announced by 16th December 2016. The Winner will be notified by email and/or phone call.
  15. The Silk Bureau Limited reserve the right to publish details of the Winner and winning entry for marketing purposes pertaining to The Silk Bureau Limited.
  16. The Winner will be invited to visit The Silk Bureau Limited at their Evesham premises from 10:30 to 16:00 on an agreeable date to suit both the Winner and The Silk Bureau Limited. Expenses and arrangements incurred by the Winner i.e. travel, is not included.
  17. The Winner will be entitled to an additional 5m of fabric suitable for upholstery as chosen by The Silk Bureau Limited.
  18. The award is not transferable to any other party. There is no cash alternative.
  19. The Silk Bureau Limited reserves the right to cancel or amend the Competition or the rules without notice.

Disclaimer
Any irregularities and variations in the weave of our fabrics are in NO way to be considered as defects. They are a characteristic of a natural fibre.
It is important to allow for shrinkage. Shrinkage can be up to 10% on most fabrics, however for stretch fabrics it can be up to 20%. Short runs shrink more than longer runs pro rata; however this is not a precise science. Shrinkage can vary from one batch of fabric to another.
The natural shade of fabric may vary from roll to roll and is a circumstance beyond our control.
Please examine the fabrics carefully before processing. Direct or indirect claims for any reason whatsoever will not be accepted once the customer, or any party acting upon their instruction, has cut, or processed the fabric in any way.
Claims for any defects, or shortages, must be made in writing within seven days of delivery of the fabric.
Fabric specifications given are as accurate as possible to allow for printing of images. Rolls of natural fabric may vary in size between batches, so selvedge to selvedge dimensions are not provided. Selvedge areas may not be printed on.
Colours depicted on screen and colours actually printed may vary due to the nature of fabric/textile printing and the variation of individual monitor displays.

WSA Printed Textiles alumni at Premiere Vision Paris with Texprint

Sarah Cheyne, Senior Teaching Fellow in Printed Textiles was at Premiere Vision, Paris last week researching for an upcoming Live Project for our students as well as working with Texprint, an organisation that takes 24 of the best UK graduates to Paris to show their work to an international market. Amongst the 2016 Texprint cohort was Melissa Ougham, recent graduate from Printed Textiles at WSA. Here she is on her stand, showcasing her work. She will be starting her internship in Como, Italy in just a few weeks.

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Press for Printed Textiles graduate Melissa Ougham at People of Print

Recent graduate Melissa Ougham has had her collection featured on the People of Print website – you can read the full article here

PofP6w

Printed Textiles Graduate Melissa Ougham gains a place at Texprint 2016

Melissa Ougham, who has just graduated in Printed Textiles at WSA, was selected from hundreds of graduates around the UK to take part in Texprint 2016.

Melissa Ougham Texprint Stand

‘Texprint is an organisation run by industry professionals with the added support of many internationally recognised industry names.  Our aim is to select, mentor and promote the best of the UK’s newly graduated textile designers, providing an opportunity for realistic development, and a vital bridge between higher education and the real, commercial world.’

’24 TEXPRINT designers are selected each year following the rigorous interviewing of over 230 applicants submitted by British colleges and universities at both BA and MA levels. The 24 are designers who have shown outstanding skill and artistry in their chosen discipline, and who have impressed the Texprint interview panels with their creativity and desire to succeed in the professional world.  Texprint’s aim is to promote their skills to the industry, to media, and to the related organisations that can help their career launch.’

Those selected showcase their work in London before showing at PV in Paris in September. It is an amazing opportunity for new graduates to meet with exciting industry contacts and become professional designers.

Melissa has been shortlisted for a 7 week internship in Como, Italy via Texprint. Congratulations Mel!

WSA Textile Graduates at New Designers

Selected graduates from Printed Textiles, Woven Textiles and Knitwear for Fashion will be showcasing their work at New Designers this week.

Screen Shot 2016-06-24 at 10.19.50

Opening times:

Wednesday 29 June:
– VIP & Press Preview:                3:00pm – 6:30pm
– Awards Preview Evening:         6.30pm – 9:00pm
Thursday 30 June:                   10:00am – 8:00pm
-Thursday Late:                           5:00pm – 8:00pm
Friday 01 July:                          10:00am – 6:00pm
Saturday 02 July:                     10:00am – 5:00pm

Venue:

Business Design Centre
52 Upper Street
London N1 0QH

For more details visit http://www.newdesigners.com/visiting/part1